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freedom writers

On this birthday of Dr. Martin Luther King Jr., the poems of the brilliant Sonia Sanchez have been floating through my mind. Out of her immense body of work, today I especially am reminded of “9 haiku (for Freedom’s Sisters).” There are so many artists, writers, educators, and others working to inspire work for peace with justice. All day I have been asking myself, what am I doing for peace and justice? what am I doing to carry on the legacy? what poem will my life write?

May I be given the energy and the creativity to make even tiny steps toward the future envisioned by Dr. King, his predecessors, and all those working today to continue the work to which he gave such strong leadership.

re-reading my classics

Two books from powerful writers are siting on my nightstand: The Women of Brewster Place by Gloria Naylor and Their Eyes Were Watching God by Zora Neale Hurston. These are books I have read before (Ms. Hurston’s a half dozen times), but I will write my review after I experience them with fresh eyes. This morning I awoke utterly confused, surprised to see I was not after all in Florida, sitting on the porch with Janie Crawford.


The best way to understand a country, its culture, and its people is to spend time in that country. With no opportunity to travel to Yemen in the near future, and aware of the difficulties of travel there, I was grateful for the chance to take an armchair journey. American journalist Jennifer Steil has performed a great service for readers interested in life in Yemen, as well as the political situation in that country, by writing a fascinating and powerful memoir of her year working at the Yemen Observer.

Steil initially went to Sana’a, Yemen’s capital, to train newspaper staff in journalism skills, and was invited back to serve as editor. She experiences power struggles with her boss, and struggles to train her staff into polished professionals. More interesting, however, are the culturally-specific challenges of journalism in Yemen. For example, both men and women worked on the newspaper, but the women generally had to be home before dark, and had their family’s permission to work. However, Steil’s narrative is respectful and careful, tending to highlight the strengths of her female staff.

Based on Steil’s experience, journalists in Yemen face considerable challenges with censorship and government control of media. During the presidential election, it was challenging to convince some staff of the necessity to publicize opposition candidates, for example. Also, the newspaper was prosecuted for reprinting cartoons depicting the Prophet Muhammad pbuh, even though the cartoons were accompanied by an article condemning such depictions.

Describing her day-to-day life in Sana’a, Steil paints a picture of what life is like for ordinary Yemenis. When staff members invite Steil to their homes and to wedding celebrations, she has an opportunity to experience Yemeni culture and customs in an intimate manner that a tourist would not experience. She was granted many exemptions from cultural norms, due to her status as a foreigner; for example, she ate lunch in a restaurant with a male companion, and saw no other woman doing so. At times Steil wore an abaya (a dresslike robe worn over clothes) to observe modesty, and a scarf over her hair, as an attempt to blend in more readily.

Understandably, Steil faced many personal challenges while living in Yemen. Her work schedule was exhausting, and she experienced illness and loneliness. While adjusting to life in a dramatically different culture, friendships and social outings with other expatriates provided a chance for release. Her descriptions of parties and similar indulgences were perhaps the least interesting aspect of her story.

At this writing, people throughout the Middle East are voicing their hunger for change. Those of us living outside the region would do well to educate ourselves about its unique cultures and political predicaments. Steil’s book serves as a helpful tool in this regard—a highly readable first step in learning about Yemen. The country faces immense challenges, including diminishing natural resources, but Steil was able to lift up its beauties as well.

My hope is that this book reaches a wide audience, helping readers to develop a more holistic image of Yemen, and enticing readers to dig deeper into Yemen’s history. Reading this book has increased my desire to travel there one day (perhaps once freedom increases ever-so-slightly?), and heightened my wish that change will come through peaceful means, making daily life in Yemen, as well as the prospect of tourism, much easier.

ripe from around here

When jae steele’s Ripe From Around Here arrived, it joined a pile of vegan library books on my kitchen table. I needed inspiration and fresh ideas, and hoped one of the books would help. steele’s book was the star. These are the recipes that will become everyday favorites, and the ones that omnivores will devour, blissfully unaware that no animal products are present.

Read my full review, posted on 3rd November 2010 at Elevate Difference.

Irish Pages: The home place


excellent journal published in Belfast. read my full review at Elevate Difference.


This year S. Krishna’s Books again is hosting the South Asian Challenge 2011, inviting readers to discover books by South Asian authors. I will be signing up to read, hoping to post more of my reviews than I did last year. For details or to sign up, visit S. Krishna’s blog. There is an extensive list of reading suggestions as well as links to past reviews. Here’s to a new year of excellent reads!


A new year means another opportunity to challenge myself to read amazing literature. I am thankful for the encouragement and ideas presented by blog writers, and I will sign on for the Quirky Brown Reading Challenge hosted by BrownGirl BookSpeak. As she writes, “This challenge is more than about finishing a certain number of books, but about challenging the overly subscribed to depictions of the so-called ‘Black experience’. I hope participants also discover some of our lesser known contributions to American literature.”

She offers many author suggestions, and there will be links to reviews by readers to give you additional ideas. I encourage you to sign up, and make 2011 a year to discover unfamiliar writers.

Touch by Adania Shibli


At Belletrista, an excellent online literary magazine focused on women writers, there is an interesting discussion of Touch, written by Palestinian author Adania Shibli (translated from the Arabic by Paula Haydar).

I encourage you to take a look at this author. My review of Touch is posted at Elevate Difference, and you are welcome to post comments there.

in the woods


fox warren today. an actual, multiple-entry point fox warren. i saw it with my own eyes, on a family walk in the woods on our farm. the residents, to be sure, stayed hidden. i’m sure they were appalled by our canine sticking her snout into their doorways. my spouse indicated that the home had been made by groundhogs, then forcibly taken over by the fox family. an unsavory custom of foxes, perhaps, but amazing nonetheless. i knew we had red foxes, more than one family, living here, but i had not expected to be so close to their home. a few times i have caught glimpses, but red foxes are rather shy and quick to dash away. one morning last spring a fox was on the edge of our garden beds, likely tracking a rabbit. i stood transfixed until he slinked away through the cover of marsh grasses. i would love to write a poetic nature essay in response to today’s discovery, yet at the present i am too awed, too struck with the excitement of it. oh, the daughter’s plans: to wake up before the sun and walk silently with her father into the woods, to catch a glimpse of scarlet canines on their way home from breakfast. i will awake just in time to sit on the porch, steaming mug of coffee between my palms, watch my daughter canter home across the field, wild glimmer in her eyes and grin ear-to-ear. Vulpes vulpes, you have captivated us.

Photo, alas, is not my own, but from Wikimedia Commons. Woodcut image © AllPosters

Forget Sorrow by Belle Yang


I jumped at the chance to review Forget Sorrow: An Ancestral Tale, an unconventional graphic memoir from writer/artist Belle Yang. While I am no expert on graphic literature, I did devour Marjane Satrapi’s Persepolis series. With this medium, I enjoy (and envy) the way an artist can show emotions through inked illustrations, and use words more sparingly. Further, there is an intimacy created on the page, because the typeface and conversational style evoke a personal journal lying on a nightstand.

Read the complete review, published on August 23, 2010, and post your comments at Elevate Difference.

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